Le Beau Temps, 1939
Oil on canvas
Le Nu A L?ane Bleu , 1978
Tempera on masonite
Comes with paperwork on painting
Signed on recto
Provenance: Acquired by Pierre Matisse Gallery directly from the Artist, including certificate from Pierre Matisse Gallery signed by Pierre Matisse, bought by Yves HEMIN, Paris; Ron Segal bought piece directly from Harcourts Gallery, San Francisco
Shown on page D of Harcourts catalogue
From the collection of Ron Segal
Image: 13 x 9 in
Frame: 22 x 25.5 in
Poem, 1951
Oil on canvas board
Signed/dated by artist on recto, titled on verso
Canvas: 8 x 10 in; Framed: 12.75 x 15 in
Horizontal Lake Series, 1983
Oil on canvas
Signed and dated in oil on verso
Provenance: Janus Gallery, Los Angeles, CA tag on verso
Image: 36 x 72 inches
Framed: 37.75 x 74 inches
Untitled, 2011
Acrylic on canvas
Signed and dated by artist on verso
Dimensions: 60 x 80 in
Shadow Star, 1976
Original canvas painting
Signed, dated, and titled on verso
Featured in Nicholas Wilder Gallery, Los Angeles, California exhibition
May 3 – May 28, 1977, Snap Lines tag on verso
Dimensions: 77.75 x 91.5 in
(Comes in original hand-welded frame)
Etching and aquatint on Fabriano paper
Edition of 58
Signed and numbered in pencil on recto
Image: 54 x 58 inches
Provenance: Leslie Sacks Fine Art
Glassy, 2006
Acrylic, printed paper collage and resin on panel
12 x 12 inches
Crooked Just Like You, 2016
Acrylic on canvas
Signed and titled on verso
72 x 72 inches
"Untitled," 1979
Acrylic on paper
Signed and dated in pencil on verso
(Francis Archive SF79-1099)
Image: 19 x 29.5 inches; Framed: approximately 26 x 36.5 inches
Smoke Came out of Her Ears, Fuses, Fizzled and Popped, 1976
Pastel on paper
22.75 x 28.625 inches
Sequence XIII, March 26, 1979
Black ink and acrylic on paper with collage
In the catalogue raisonné Theatres de memoire
Signed/dated on recto
Provenance: The Pace Gallery
From the collection of Tamara Thomas
Dimensions: 13 3/4 x 10 inches
Untitled (Pomo Tierra), c. Late 1970's
Painting on wood board
Signed on recto
An ad created for Pomo Tierra apple company, previously owned by consignor
Image: 10.75 x 10.75 in; Framed: 16.5 x 16.5 in
Seductive Girl, Tahkt I-Sulyaman Vartiation II, Elvis and Campbells Soup, 1969 Acrylic on canvas combine, with original frame
Signed on verso
12 x 25 inches
Provenance: Acquired by the present and original owner from OK Harris Works of Art, New York, NY, in 1970.
Untitled, 1987
Acrylic on canvas
Signed four times, dated and inscribed “for Alex Ivanov” on verso
Image: 21.5 x 15 inches; Framed
Untitled, (Full of the grace..), 1988
Oil on canvas
Signed/dated verso, 48 x 30 in
1 Exhibited The Black Flag Years, 2025
5 Exhibited Reader Dearest, 1991-92
Hartly-Vis., 1991
Oil and acrylic on canvas
Provenance: Zolla Lieberman Gallery, Chicago, IL stamp on verso
Image: 46 x 78 inches
Night Time #7, 1964
Oil on panel in artist frame
Frederick Hammersley tag on verso
Provenance: LA Louver Gallery (tag on verso)
Image: 10 x 12 in; Framed: 15 x 17.5 in
Untitled (Sten #1), 2002
Acrylic on canvas Signed "y Branco" on verso; Titled and dated on verso
Image: 52.5 x 43 inches
Untitled (SFE-013), 1984
Screenprint C.T.P
Unique color trial outside edition of eight Unique color variants
Signed and numbered in pencil on recto
Image: 32.5 x 16 inches; Framed: 36 x 19.5 inches
Alternate cover of Rio (AIR studios demo) 2001,
and Japanese My Way Album 1982, 1982
Artwork used for Duran Duran’s Alternate Rio
(AIR studios demo) artwork on 2001 limited
edition remaster and Japanese My Way Album,
1982
Acrylic on canvas
Signed and dated on recto
36 x 35.5 inches
Smoke Sulphur, 1973
Lithograph
Numbered 30/30
Signed and numbered on recto I
mage: 25.5 x 34 inches; Framed
Wauged c. 1990
Oil and acrylic on canvas
Signed on verso
Image: 78 x 66.5 inches
Untitled (SF 92-19), 1992
Acrylic on paper
Hand-signed by artist and dated on verso
Provenance: Bobbie Greenfield Fine Art, Venice, CA, original receipt on verso
Image: 22.5 x 30 in; Framed: 33 x 40 in
The Jerry Lewis Family, 1962
Oil on canvas
Signed in oil on recto
Image: 45.5 x 53.5 inches; Framed: 54 x 61 inches
Krojib, 2001
Acrylic on canvas
Signed in ink on verso
Provenance: LA Louver, Venice, CA, tag on verso
Image: 96 x 60 inches
Torture Garden, 2013
Acrylic and gouache on linen
Signed and dated on verso
Image: 63.75 x 63.5 inches; Framed: 66 x 66 inches
Provenance: Mary Boone Gallery, New York, NY, tag on
verso
NY Trace #5, 1975
Oil and acrylic on canvas on panel
signed with the artist's initial and dated 'E 75' (lower right); signed with the artist's initials and dated again 'EM3 75' (on the overlap) and signed again with the artist's initials, titled, inscribed and dated again 'EM3 75' (on the reverse)
Provenance: LA Louver, Venice (tag on verso)
Framed: 72 x 60 in
Vertical Lake, 1983
Oil on canvas
Signed/dated on recto/verso
Dimensions: 60 5/8 x 48 1/2 inches
Untitled, 2008
Acrylic on canvas
Signed/dated on verso
Initialed in paint on recto
36 x 36 inches
Frederic Hammersley (1919-2009)
Small Alizeran, c. 1960
Oil on board
Bears Gallery label from Heritage Gallery, Los Angeles, CA with artist's name but mislabeled dimensions, also bears partial artist's label
Image: 9 1/4 x 13 inches inches; Framed: 20 x 24 inches
Hugo Laurencena (1905-2024)
Untitled, 1982
Oil on canvas
Signed on verso
Image: 36 x 48 inches
Don Pollack (1958)
Airplane, 1990
Oil on canvas
Signed on verso
Image: 56 x 76 inches
John Register (1939-1996)
Wasteland Hotel, 1990
Signed by artist in pencil on LL, numbered 54/85, published by Modernism Gallery, San Francisco
Image: 47 ½ x 60 ½ inches
Untitled (Red and Blue), 1994
Intaglio with original hand painting
Numbered 19/35
Signed, dated, numbered in pencil on recto
Published by Paris Review
Image: 31.5 x 23.5 inches; Sheet: 36.5 x 28 inches; Framed: 39.25 x 30.5 inches
Printed in 2016, Original photograph taken in 1963
Light-jet print
From the numbered edition of 5
2/5
Signed twice, signed on the matte and the print itself (verso) Printed at Weldon Color Labs
Image: 39 1/2 x 59 inches
Framed: 40 7/8 x 60 7/8 inches
Jean-Michel Basquiat, 1982
Unique Polacolor ER print
Warhol copyright credit blindstamp on recto (in white margin); Annotated FA05.00017 in pencil on verso and POLACOLOR E21417 in ink on verso Provenance: Includes an original Fahey Klein Gallery, Los Angeles, CA Letter of Provenance
Image: 4.25 x 3.375 inches
Framed: 14.25 x 12 inches
Crystal, 2007
Chromogenic print
From the numbered edition of 7
Signed on verso
Image: 35.5 x 47 inches
Framed: 37.5 x 49.25 inches
Pierre Koenig, Case Study House #22 Los Angeles, CA, 1960/Printed Later
Photographic print on Resin Coated Paper
Artist proof
Signed and dated in white ink on recto
Provenance: Acquired directly from the artist
Image: 19.5 x 15.5 inches
Framed: 29.5 x 25 inches
Clearing Winter Storm, Yosemite National Park, California, 1938/1977
Gelatin silver print
Signed on mount in pencil; Carmel studio stamp on verso;
Titled and dated in ink on verso
Image: 15.5 x 19.5 inches
Framed: 29.75 x 33.25 inches
Models in the Windows, 1960/Printed Later
C-Print
AP edition of 4 aside from the numbered edition 25
Signed and editioned in ink on recto
Image: 23.5 x 23.875 inches;
Framed: 35.25 x 35 inches
Crossroads Store, Alabama, 1937/Printed Later
Gelatin silver print
Annotations on verso
Unsigned
Image: 9.75 x 13.5 inches; Sheet: 10.125 x 14 inches; Framed: 16.5 x 20.5 inches
Provenance: From the Estate of Blossom and Ben Norman, Los Angeles, CA
Condition: pinholes in corners, .5 inch tear on lower right hand corner, handling creases, rubbing and discoloration on verso
Apollo II Moon Shot, Cape Kennedy
Gelatin silver print
Signed by artist on verso
Image: 11 x 14 inches
Framed: 16.5 x 20.5 inches
Jackie, 2007
C-print
From the numbered edition of 5
Image: 46.5 x 49.25 inches; Framed: 49.375 x 46.25 inches
Amanda and her cousin Amy, Valdese, 1990
Numbered 6/25 Signed, titled and dated on verso Illustrated in: An American Odyssey Rose Gallery, Santa Monica, CA tag on verso
Image: 20 x 24 inches; Framed: 28 x 35 inches
Published as INSTANT WARHOL in June 1974 Playboy. The Art includes a Four (4) part SET of Separately Framed Polaroid Photo Collages, along with copies of the 1974 Playboy to Warhol Photo Assignment, a copy of the 1974 Playboy Check to Andy Warhol and an original letter from Playboy explaining the Warhol Art. Also included for the Art Provenance are other receipts, and the Original Playboy Magazines (1974 and 1990) that included the Art.
Also included is a copy of the 1974 Embossed Self Photo of Andy Warhol in a mirror, that Warhol shot for Playboy, of himself with a Polaroid Camera, published in both 1974 and again in 1990.
featured in an exhibition at the Andy Warhol Museum, Pittsburgh, PA.
The Backwards Man in his Hotel Room, NY 1961
Printed later, Gelatin silver print
Numbered 9/75; Stamped on verso: ALL RIGHTS RESERVED, This image may not be reproduced in any way whatsoever without written permission from the Estate of Diane Arbus Stamped on verso: Copyright 1961. The Estate of Diane Arbus; Signed by Doon Arbus on verso Printed by Neil Selkirk
Image: 8 ½ x 6 inches; Sheet: 14 x 11 inches
Ellen, 2007
Chromogenic Print
Numbered 6/7
Image: 43 x 47.5 inches: Framed: 45.5 x 49.5 inches
Untitled (Pontiac Indian Sign), c. 1978
Dye transfer print
From the numbered edition of ten
Signed by the artist in ink on recto
Stamped by the Eggleston Artistic Trust on verso; Rose Gallery tag on verso
Image: 13.75 x 14 inches; Framed: 28.625 x 19.625 inches
CZ and Max on the beach, Truro, MA, 1976
Cibachrome print, flush-mounted on board
From the numbered of 25
Signed, titled, dated, and numbered in ink (flush mount verso); credited, titled, and dated
Provenance: Jablonka Galerie, Lindenstraße, Germany
Image: 38.375 x 24.625 in; Framed: 41 x 28 in
Kate Moss, c. 1990's
Photograph
From the numbered edition of 10
Signed/numbered on verso
Image: 20 x 16 in; Framed: 26.125 x 19.75 in
Greta Garbo and John Barrymore, 1933
Gelatin Silver Print
From the numbered edition of 250
Signed and numbered on recto
Image: 19 7/8 x 16 1/8 inches
Gelatin Silver Print
Signed in ink on mount recto. Stamped, titled and numbered in ink on mount verso
10 x 8 inches
First Arrival (Elvis in NYC), c. 1960's
Photo
Signed/dated and inscribed "to Kirk Varnedoe from Alfred" on recto
From the collection of Elyn Zimmerman and Kirk Varnedoe
Image: 11 x 7.25 in; Framed: 15 x 18.5 in
Mr. and Mrs. Santa Claus in their living room, Albion, N.Y., 1964
Gelatin Silver Print
From the numbered edition of 75
Stamped 'A Diane Arbus photograph'; Signed, titled, dated by DoonArbus,
Administrator, in ink and Estate copyright credit reproductionlimitation stamps on the verso
Provenance: ROSEGALLERY, with certificate
Sheet 20 x 16 inches; Image 14.5 x 14.5 in
Groom Kissing His Bride, NYC, 1966
Gelatin Silver Print
From the numbered edition of 75
Signed, titled and editioned by Doon Arbus in ink on verso
Stamped verso: Estate of Diane Arbus
Provenance: ROSEGALLERY, with certificate; Fraenkel Gallery
Image: 16 x 20 in
A Castle In Disneyland, CA, 1962
Gelatin Silver Print
From the numbered edition of 75
Stamped 'A Diane Arbus photograph', signed, titled, dated by Doon Arbus,
Administrator, in ink and Estate copyright credit reproduction limitationstamps on verso.
Provenance: ROSEGALLERY, with certificate; Fraenkel Gallery
Sheet: 20 x 16 in; Image: 14.5 x 14.5 in
Two Girls in Matching Bathing Suits, Coney Island, NY, 1967
Gelatin Silver Print
Unnumbered outside the numbered edition of 75, possibly a presentation proof
Stamped 'A Diane Arbus Photograph' signed, titled, dated by Doon Arbus,
Executor in ink on verso. Reproduction limitation stamp on verso.
Provenance: ROSEGALLERY, with certificate; Fraenkel Gallery
Sheet: 20 x 16 in; Image: 14.5 x 14.875 in
Mia Villiers - Farrow on a bed, 1964
Gelatin silver print
Details: From the numbered edition of 75
Signed verso in ink by Doon Arbus; estate stamps verso
Image: 15.25 x 15.5 in; Framed: 27 x 25.625 in
Roden Carter, c. 1973
C-Print
From the numbered edition of 10
Signed/numbered by artist on verso
From the collection of Elyn Zimmerman and Kirk Varnedoe
Image: 10.75 x 14 in
Untitled (Faye Ray in Boots), 1988
Gelatin Silver PrintSigned/dated by artist on versoImage: 6.125 x 6.125 in; Framed: 15 x 12 in
Halina and Chet Baker, 1955
Gelatin Silver Print
Signed on verso with photographer's stamp
Image: 13.125 x 9.125 in; Framed: 20.375 x 16.5 in
Anne St. Marie + Cruiser in Traffic, NY (Vogue), 1962; printed 2012
Chromogenic print, mounted on Aluminum
From the numbered edition of 30
Signed, dated, and titled on verso on mount in ink; titled, dated, and
edition on artist label on verso
Dimensions: Paper size: 41.25 x 29.25 in; Framed: 42.5 x 30.5 in
Untitled (unique contact print of Lisa Lyon), c. 1980
Contact print
Signed by Lisa Lyon
Image: 2.25 x 2.125 in; Framed: 5 x 5 in
Lady in a rooming house parlor, Albion, NY. , 1964
Gelatin silver print
From the numbered edition of 75
Signed, titled, dated by Doon Arbus, Administrator in ink and Estate copryight credit reproduction limitation stamps on verso
Stamped 'A Diane Arbus photograph'
Image: 14.5 x 14.5 in
Framed: 28.5 x 27.5 in
Paris, 1989
Gelatin silver print
Signed in ink on recto
Image: 12.5 x 8.25 inches; Sheet: 14 x 11 inches; Framed: 15.25 x 19.25 inches
Swimming Pool, Palm Springs, California 1997
Fujicolor archive print
From the edition of 10
Signed on card mount on verso
Provenance: From the collection of the artist
Printed under direct supervision of the artist
Image: 33 x 43 inches; Sheet: 40 x 50 inches; Framed: 51 x 61 inches
Ruth Bernhard (1905-2006)
Perspective II, 1967
Platinum print
Signed in pencil
Image: 10 1/2 x 13 3/4 inches
Diane Arbus (1923-1971)
Mimi and Daughters, 1969
Vintage gelatin silver print
Estate Stamp on verso, Estate print number 6811-2-OU-1114 (77) and Doon Arbus signature in ink on verso
With a letter of provenance from Konrad Matthaei who comissioned the work
Illustrated in Diane Arbus: Family Albums Plate 10
Image: 7 ¼ x 7 inches; Sheet: 14 x 11 inches
David Hockney (1937)
Christopher Isherwood talking to Bob, 1983
Kodacolor Print photocollage
Numbered 7/20
Signed, titled, dated, and numbered on mount on recto
Illustrated in: Knopf, Cameraworks: David Hockney, pl. 113, Image: 30 × 55 in
Andy Warhol (1928-1987)
Instant Warhol #5, 1979
Photocollage with polaroids mounted on board
Unique
Image: 22 x 24 inches; Framed: 29 x 31 inches
Mick Jagger, 1975
Screenprint
Numbered 98/250 Signed and numbered in pencil on recto; Signed by Mick Jagger in pencil on recto
Cat. Rais: Feldman & Schellmann, II.147
Image: 43.6 x 28.9 inches; Framed
Note: Framed in clear, sealed plexiglass box
Defend Capitalism, 2006
Screenprint
111/500 Numbered in pencil on recto;
From the Barely Legal exhibition; Modern Multiples stamp on recto; POW stamp on recto Printed by Modern Multiples
Image: 18.5 x 26 inches
Sheet: 22.5 x 30 inches
Framed: 38 x 30.5 inches
Mao Tse-Tung (F.S.-II 93), 1972
Screenprint on Beckett High White paper
From the AP edition of 50 aside the edition of 250
Signed and numbered in ink on verso; Copyright stamp on verso Printed by Styria Studio, Inc., New York, NY; Published by Castelli Graphics and Multiples, Inc., New York, NY Illustrated in: Andy Warhol Prints, A Catalogue Raisonne 1962-1987, Feldman/Schellmann, pg. 82
Image: 36 x 36 inches
Framed: 43.5 x 43.5 inches
Mao, 1972
Silkscreen
Numbered 69/250
Signed on verso
Image: 36 × 36 in; Framed: 41.25 × 41.25 in
Jimmy Carter II, 1977
Silkscreen
A.P 15/25 outside the edition of 100
Sheet: 29.5 x 39.25 inches; Framed: 49 x 39.5 inches
Andy Warhol Campbell’s Soup II (New England Clam)
Color screenprint
From the numbered edition of 250
Signed in ink on verso with edition number with rubber stamp
Printed by Salvatore Silkscreen Co, Inc., New York; Published by Factory Additions, New York
Image: 31.5 x 18.5 inches; Sheet: 35 x 23 inches; Framed: 42 x 28 inches
Andy Mouse An Homage to Andy Warhol, 1986
Silkscreen
From the numbered edition of 30
Signed by Keith Haring & Andy Warhol in pencil on recto; Numbered in pencil on recto; Printer chop mark on recto
Printed by Rupert Jasen Smith; Published by George Mulder Fine Art
Sheet: 38 x 38 inches; Framed: 45.5 x 45.5 inches
Andy Mouse collaboration with Andy Warhol, 1986
Color silkscreen on cardboard
Numbered 10/30
Signed by both Haring and Warhol in pencil on recto; Dated and numbered in pencil on recto, Printed by: Rupert Smith, NY, Image: 38 × 38 in; Framed: 40.5 × 40.5 in
Andy Warhol (1928-1987)
Le Grande Passion (F&S IIIB.28), 1984
Silkscreen on Lenox Museum Board
Unique print authenticated by the Estate of Andy Warhol, seals/stamps verso
Image: 39 ¾ x 39 ¾ inches; Framed: 48 ¾ x 48 ¾ inches
Portraits of The Artist, 1967
From Ten from Leo Castelli Portfolio
Screenprints in Plexiglass boxes
Numbered 9/200
Image: 20.5 × 20.5 in
Flowers, 1964
Color offset lithograph
Signed and dated in ink on recto
Image: 23 × 23 in; Framed: 27.25 × 27.25
Dollar Sign (FS-276), 1982
Unique silkscreen
Numbered 40/60
Signed and numbered on recto
Image: 20 x 15 inches; Framed: 20.25 x 16.25 inches
Pink Cow Wallpaper, 1976-77
Silkscreen on Wallpaper
Signed and dated in marker on recto (slightly faded)
Stamped Andy Warhol, Nov. 18, 1976 to Jan. 9, 1977
Copyright A.W.E. Provenance: Acquired directly from O.K. Harris Gallery, New York
Image: 46 x 30 inches; Sheet: 46 x 30 inches; Framed: 48 x 32 inches
The Valley, 1990
Portfolio of etchings with text by William S. Burroughs, 31 sheets; including 16 signed etchings by Keith Haring; Last sheet of text with image by Haring is signed by Burroughs
Numbered 33/80
Each sheet: 14 × 12.5 in on Twinrocker handmade paper
Published by George Mulder Fine Arts, NY
(Lot of 2)
Chocolate Buddha; Chocolate Buddha, 1989
Color lithographs
Each numbered E.A.12/15
Each signed, dated and numbered in pencil on recto
Each Image; 22 x 27 ¾ inches each; Each Framed: 29 ¼ x 35 ¼ inches
Guitar Series (Pink, Green, Yellow, Red, Blue, Orange), 2005
Complete suite of six 3-layer, 5 color screen print constructions, mounted to sinter and hand cut in the original Gemini G.E.L. frames
Edition of 45
*all works have the same edition number
Each signed, numbered and dated in white ink on recto
Published by Gemini G.E.L
Lithograph
From the numbered edition of 150
Signed and numbered in pencil on recto
Published by Edition Kung, Tokyo, printed by Pierre Chave, Venice.
Image: 14.5 x 19.375 inches; Sheet: 19.875 x 24.875 inches; Framed: 32.5 x 37.5 inches
Sinjerli Variations, 1977
Lithographs
From the numbered edition of 100
Signed, numbered, dated on recto
Each Image: 31 x 41 inches
Each Framed: 33 ¼ x 43 inches
Bonne Bay, 1971
Color lithograph and silkscreen
AP IX, from the numbered edition of 58
Signed, dated, and numbered on recto
Image: 31 × 63 in; Framed: 70 × 38 in
Landscape with Poet, 1996
Lithograph and screen print on Lanaquarelle watercolor
From the numbered edition of 60
Signed and numbered on recto
Image: 83.5 x 30 inches; Sheet: 90 x 36 inches; Framed: 94 x 40 inches
Finger Pointing, 1973
Screenprint
Numbered A.P 21/25 outside an edition of 300
Signed and annotated on verso
Printed: Syria Studio
Image: 12 x 9 inches; Framed: 25.5 x 23 inches
Two paintings: Green Lamp, from Paintings Series, 1984
Woodcut, lithograph, screenprint and collage in colors, on Arches 88 paper
Artist proof outside the numbered edition of 60
Signed, dated, numbered in pencil on recto
Published by Gemini G.E.L., Los Angeles, with their blindstamps on recto
Image: 35.375 x 49.75 inches
Sheet: 38.625 x 53 inches
Before the mirror from Mirrors of the Mind, 1975
Lithograph and silkscreen with embossing Numbered
AP 9/30 from an edition of 100
Signed and numbered in pencil on recto Published by Multiples, Inc. Catalogue Raisonne 135, Corlett
Triptych, 1983
Lithograph/velin Arches (triptych)
From the numbered edition of 180
Signed and numbered on recto
Each Image: 29 x 21 inches
Each Framed: 38 x 29 1/2 inches
Seated Figure, 1983,
Etching on Guarro and Arches paper
Edition of 99 + 99 proofs
Signed and numbered; H.C "XI/XV"
This edition was executed directly by Bacon, an unusual circumstance, as Bacon generally did not involve himself with printmaking.
Image: 40 x 28 inches
Study for a Portrait of John Edwards, 1986
Lithograph
Numbered 117/180
Signed and numbered on recto
Image: 26.25 x 19.5 inches; Framed: 47 x 35 inches
Portrait (from La Mysticite Charnelle de Rene Crevel), 1976
Color Aquatint
Numbered E.A. 7/10, proof outside of the edition of 100
Signed and numbered in pencil on verso
Image: 10.25 x 14 inches; Framed: 21.5 x 19 inches
Paradise of Ash, 1981
Lithograph on John Koller paper in two panels
From the numbered edition of 43
Signed and numbered in pencil on recto
Sheet: 46 x 32 inches, each; Framed: 51 x 71.5 inches
Untitled, 1988
Aquatint in 20 colors
From the numbered edition of 22
Signed and numbered in pencil on recto
Leslie Sacks Fine Art gallery tag on verso
Image: 53.5 x 22.5 inches
Framed: 59 x 26.25 inches
S-245, 1976-77
Signed, From the numbered edition of 25
Image: 50.1 × 50.1 in
Untitled (SFE-080), 1992
Etching, aquatint and drypoint
From the edition of 75
Signed and numbered in pencil on recto
Image: 19 x 28.5 inches; Sheet: 27.5 x 37 inches;
Framed: 35 x 44.5 inches
Made in California, 1971
Lithograph
From the numbered edition of 100
Initialed, dated and numbered in pencil on recto
Published by Grunewald Graphic Arts Foundation, University of California, Los Angeles; Printed by Cirrus Editions, Los Angeles; Engberg & Walker, 52
Sheet: 20 x 28 inches; Framed: 31.25 x 38.75 inches
Burning Standard From Pictures of Cars (After Ruscha), 2008
Chromogenic print
Edition of 6 plus 4 APs
Sheet: 35.5 x 67 inches; Framed: 43 x 74.5
inches
Oxford, Beverly, Western, 1999
Diptych lithograph on Rives BFK paper
From the numbered edition of 20
Signed, dated and numbered on recto
Published by Hamilton Press, Venice, CA
Provenance: Private Collection
Sheet: 27 x 74.5 inches; Framed: 29.5 x 76.75 inches
The End, 1991
Lithograph on Rivers BFK
From the numbered edition of 50
Signed, dated, numbered in pencil on recto
Printed by Hamilton Press, Venice, CA
Published by the artist
Literature: Engberg 206
Image: 26 x 36 ½ inches
Framed: 34 ¼ x 45 inches
Street Meets Avenue, 2000
Lithograph
From the Metro Plots series Lithograph Numbered 88/100 Signed, numbered and dated in pencil on recto
Published by Eyestorm; Printed by Hamilton Press
Image: 25.5 x 34 inches; Framed: 35.25 x 43 inches
Hollywood (E. 7), 1968
Screenprint on white paper, cut edges
Numbered 14/100
Signed, numbered and dated on recto
Published by Artist; Printed by Artist Print Run: yellow, orange, purple, mauve (split fountain)
Image: 17.5 x 44.44 inches; Framed: 22.75 x 51 inches
Cheese Mold Standard with Olive, 1969
Silkscreen
Numbered 139/150
Image: 21 x 37.5 inches, Framed: 30 x 47 inches
Gallo, 1988
Lithograph
Numbered 28/60
Signed, numbered and dated on recto
Image: 29.5 x 22.5 inches; Framed: 42 x 34 inches
Just an Average Guy, 1979
Etching
Artist Proof VII Signed, numbered, dated, titled on recto
Image: 15.5 x 43.5 inches
Insect Slant, 1973
Lithograph on silkscreen, numbered 5/100 in an edition of 100
Image: 22 x 30 inches; Framed: 29 ½ x 37 inches
Well, Well, 1979
Silkscreen
R.T.P. outside the numbered edition of 50 with 15 artist proofs and 3 printers proof
Signed, dated, and annotated R.T.P. in pencil on recto
Image: 12.5 x 48 inches; Sheet: 19 x 54.5 inches; Framed: 26 x 61.75 inches
Academic Study of the Figure, 1983
Silkscreen on Okawara rice paper
Printer: New City Edition, Venice, CA (blindstamp lower right recto)
Sheet: 40 x 32 in; Framed: 50 x 41.5 in
Twin Wave, 1979
Color screenprint and lithograph
From the numbered edition of 50
Signed dated, numbered on recto
Image: 32 x 41.75 in; Framed: 35.25 x 45.75 in
Paper Pools, 1980
Lithograph in six colors on Arches paper
Numbered 710/1000
Signed in pencil and dated 1980
Includes publication Paper Pools by Thames and Hudson Published by Tyler Graphics, USA
Sheet: 10.5 x 9 inches; Framed: 17 x 15.5 inches
A Picture of Ourselves, from The Blue Guitar, 1976-77
Etching and aquatint
From the numbered edition of 200
Signed/numbered by artist on recto
Image: 18 x 20.5 in; Framed: 20 x 22.25 in
Etching and aquatint in colors on wove paper
From the numbered edition of 200
Signed/numbered by artist on recto
Image: 17.5 x 20.5 in; Framed: 20 x 22.375 in
Office Chair, 1988
Home-made executed on an office colour copy machine, on Arches Text paper
From the numbered edition of 40
Signed, dated, and numbered by artist on recto
Image: 50.5 x 22 in; Framed: 57 x 28 in
Bowl of Fruit, 1986
Home-made executed on an office colour copy machine, on Arches Text paper
From the numbered edition of 46
Signed, dated, and numbered by artist on recto
LA Louver Gallery tag on verso
Image: 10.875 x 8.5 in; Framed: 17 x 14.5 in
An Image of Celia Study, 1986
Lithograph
Numbered 49/60
Signed, dated, and numbered on recto
Illustrated in: David Hockney: A Retrospective, pg. 51; Sheet: 23 × 18 in; Framed: 26 × 21 in
Lithographs from Purple Series, 1972
Lithographs (3)
From the numbered edition of 100
with GEMINI G.E.L. blindstamp;
Signed/numbered in pencil on recto
From the collection of Harriett Lake & Shelley Lake
Image: 15.5 x 21.625 in; Framed: 29.625 x 24.25 in
Le Repos du Sculpteur (Vollard Suite), 1933
Etching
Image: 7 1/2 x 10 ½ inches
Combat Moretl du Minotaure Dans L'Arena, From the Vollard Suite, 1933
Etching
Edition of 100
Signed in pencil on recto
Includes Certificate of Authenticity from Galerie Vendome, Beverly Hills, CA
Image: 7.5 x 10.4 inches Sheet: 9.25 x 11.75 Framed: 18 x 20 inches
Deux hommes sculptes, from the Vollar, 1933
Etching
Edition of 260, Bloch 161
Signed in pencil on recto
Image: 10.5 x 7.5 inches; Sheet: 11 x 14 inches; Framed: 22.25 x 18.5 inches
Jeune Femme er Gentilhomme: Sculpture Egyptienne au Socle Peint, 18 September, 1968
Etching
One of 5 proofs before steel facing of the plate and before the edition of 50
Signed with atelier signature; Annotated "epreuve avant acierage" on recto
Provenance: Marina Picasso Collection (by descent from above)
Image: 12 1/8 x 16 3/6 inches
Frame: 18 x 20 inches
Echo Park, 1989
Diptych
Silkscreens
Each signed, and dated on verso
Each image: 34 × 53 om; Framed: 46.5 × 64.5 in
Fool's Paradise, 1986
Silkscreen
From the numbered edition of 90
Signed, numbered, dated on recto
Provenance: B-1 Gallery, 1993
Image: 47.75 x 38.5 inches
Frame: 60 x 50 inches
The Citadel, 1988
Aqautint etching
From the numbered edition of 60
Signed, dated, and numbered by artist on recto
Image: 13.75 x 9.75 in; Framed: 31 x 25.125 in
Self-Portrait, 2007
Screenprint
From the numbered edition of 118
Signed, numbered, dated on recto
Image: 38 x 30 inches
Frame: 41 1/8 x 33 3/8 inches
Untitled (Umbrella Project Japan/USA), 1990
Collage poster with fabric
Signed on yellow fabric
Image: 21 1/2 x 34 inches; Framed: 29 x 41 inches
"Special Class," 2007
Acrylic, latex and spray paint on wood
This work predates the 2013 collaboration with Banksy, which features a similar composition and style
Provenance: Deitch projects tag on verso
Image: 78.75 x 64.5 inches
Going Out, 1993
Lithograph in colors, screenprint
From the numbered edition of 68
Signed, numbered, dated on recto
Image: 24.25 x 27 inches
Framed: 29 x 31.5 inches
Untitled, 1975
Tapestry
Numbered 16/100
Note: This piece has some fading
Image: 56 x 87 inches; Framed: 60 x 90 inches
Balloons, c. 1970/1975
Lithograph
Numbered 51/125
Signed and numbered on recto
Image: 29 x 23 inches; Framed: 38 x 32 inches
The Woodcut Bathrobe, 1975
Woodcut and lithograph on Natsume 4007 paper
Artist Proof
From the numbered of 80, plus 16 AP’s
Signed in pencil and inscribed “AP” on recto
Image: 35 × 24.25 in
Red and Blue Robe, 1999
Etching
From the numbered edition of 21
32 X 47 5/8 inches
Untitled (Color)
Lithograph
Initialed and numbered EA on recto
Provenance: from the collection of Joe Browner, Estate of Man Ray
Image: 32 x 23 inches: Framed: 35 ½ x 27 ¼ inches
Eric, 1985
Lithograph
From the numbered edition of 48
Signed, dated and numbered in pencil on recto
Image: 72 x 36 inches
Red Sea III, 1982-1983
Aquatint from one copper plate printed in red; lift-grounded etching and aquatint from one copper plate printed in black
Edition of 70 (with 10 Artist Proofs)
Signed, numbered in pencil and artist stamp on recto
Printed in the artist's studio by Catherine Mousley; with the artist's chop mark; released by Tyler Graphics Ltd.
Sheet: 35.5 x 18.5 inches; Framed: 44.25 x 27 inches
Affairements, 1964
Lithograph on Arches paper
From the numbered edition of 50
Signed and numbered in pencil on recto
Image: 21 ½ x 15 ¾ inches; Framed: 30 x 23 ½ inches
Jeune Hindoue I, 1929
Lithograph
Numbered 31/50
Signed and dated on recto
Image: 10.75 × 13 in; Sheet: 15.5 × 19.5 in
Abdullah discovered before him, 1948
From Four Tales of the Arabian Nights Series
Lithograph from a suite of 13
From the numbered edition of 90 (55/90)
Signed and numbered on recto
Image: 14.5 × 11 in; Sheet: 12.8 × 16.8 in; Framed: 25.5 × 21.75 in
Echo (From Daphnis and Chloe), 1961
Lithograph
Numbered 40/60
Signed and numbered in pencil on recto
Image: 16.9 x 25.4 inches; Sheet: 21 x 29.5 inches; Framed: 28 x 36.5 inches
Chloe is Carried Off by the Methymneans (From the Daphne and Chloe series), 1961
Lithograph
Numbered 48/60
Signed and numbered on recto
Image: 16 x 25 inches; Framed: 30 x 38 inches
Optician’s Window, 1939/1983
Gelatin silver print
Numbered 21/65
Signed, titled, dated, and numbered on verso; Annotated on verso with ink and pencil
Image: 13 × 9.5 in; Framed: 24.5 × 20.5 in
Flirt, 2003
Serigraph, edition of 126
Signed and numbered lower left in pencil
Image: 39.5 × 26 in
Southern Exposure, 2005
Serigraph
Numbered 20/128 plus 18 A.P.’s
Signed, numbered, and dated in pencil on recto
Signed in plate on recto
Image: 30.25 x 37 inches; Framed: 32.5 x 39.5 inches
The Critic Sees, 1967
From Ten from Leo Castelli Portfolio
Embossing with screenprint
Numbered 9/200
Signed, dated, and numbered in pencil on rectoImage: 3.75 × 6.25 in; Framed: 26.5 × 22.25 in
Cups 4 Picasso, 1972
Lithograph on Hanga paper
Edition 16/39
Sheet: 22 1/8 x 32 inches
Untitled, 1972
Watercolor on resin coated rice paper
Provenance: From the collection of a Southern California Museum
Image: 30 × 50 in; Framed: 40.5 × 56 inches
The Preacher, 1971
Lithograph
Numbered 21/60
Signed and numbered in pencil
Image: 29.825 x 22 inches; Framed: 32 x 24 inches
Black Suckers (from Seven still lifes and a silver landscape), 1970/71
Aquatint
Edition of 50
Signed
Published: Parasol Press
Sheet: 17.4 x 21.8 inches; Framed: 30 x 34 inches
Chalk on construction paper
Image: 44.75 x 30 inches
Framed: 52.25 x 37.25 inches
Provenance: Claire Joseph
Carlos Almaraz (1941-1989)
Untitled, (Pyramids), 1981
Pastel on paper
Singed/dated on recto
Image: 24.5 x 18 inches
Framed: 36 x 30 inches
Carlos Almaraz (1941-1989)
Whispers, circa 1980
Pastel on paper
Image: 30 x 22 inches; Framed: 35 x 27 ½ inches
Carlos Almaraz (1941-1989)
Festival Dance, 1984
Pastel on paper
Signed/dated on recto
Image: 28 5/8 x 21 5/8 inches
Frame: 35 1/4 x 30 inches
Echo Park Lake, 1990
Serigraph, numbered 83/40 Signed by Elsa Flores Almaraz and dated in pencil on recto
Image: 37 ½ x 37 ½ inches; Framed: 52 x 51 ½ inches
Sam Francis (1923-1994)<Br>Untitled, 1979
Acrylic on paper, unique work
Signed and dated in pencil on verso
Image: 17 x 14 inches
Andy Warhol (1928-1987)
Untitled (Camera), 1981
Polymer paint on silkscreen ink on canvas
Signed and certified by Vincent Fremont; Estate stamped “Andy Warhol”, Gagosian Gallery, New York, NY, tag on verso, Provenance: Exhibited at Gagosian Gallery, New York, NY; Acquired from the Andy Warhol Estate, c. 1989
Sol Lewitt (1928-2007)
Untitled (Single Pyramid), 1986
Watercolor on paper
Signed and dated on recto
Provenance: Franklin Capital Corp. New York, NY
Image: 20.5 x 28 inches; Sheet: 22 x 30 inches; Framed: 30.75 x 38 inches
Sol Lewitt (1928-2007)
Untitled (Two Pyramids), 1986
Watercolor on paper
Signed and dated on recto
Provenance: Franklin Capital Corp. New York, NY
Image: 20.5 × 28 inches; Sheet: 22 × 30 inches
HOPE, 2008
Mixed-Media Stenciled Collage on canvas
Unique
Signed and dated on recto
Only canvas in this size
Image: 48 x 31 inches
Framed: 49 3/4 x 33 inches
Two paintings: Green Lamp, from Paintings Series, 1984
Woodcut, lithograph, screenprint and collage in colors, on Arches 88 paper
Artist proof outside the numbered edition of 60
Signed, dated, numbered in pencil on recto
Published by Gemini G.E.L., Los Angeles, with their blindstamps on recto
Image: 35.375 x 49.75 inches
Sheet: 38.625 x 53 inches
The Great Heidelburgh Tun (From The Waves Series), 1988
Screenprint in colors, collage, lithograph in colors with hand-coloring/TH Saunders Cold Pressed Paper
From the numbered edition of 60
Signed, dated,numbered by the artist on recto
Image: 74 ⅜ x 54 1/2 inches
Framed: 81 x 60 3/4 inches
Special Class, 2007
Acrylic, latex, and spray paint on wood
This work predates the 2013 collaboration with Banksy, which features a similar composition and style
Provenance: Deitch projects tag on verso
Image: 78.75 x 64.5 inches
Sling Shot Lit #8 (Black State) (GEMINI 41.165), 1985
Lithograph/screeprint and assemblage with sailcloth, mylar, wooden lightbox, fluorescent light fixture, aluminum, moveable window shade system and plexiglas bars
Edition of 25
Signature and date incised into metal plate on lower left corner of frame
Prints: 76 x 53 inches, each; Lightbox Frame: 84.5 x 56 x 12.5 inches
Published by Gemini G.E.L., Los Angeles, CA
Condition: surface scuffs and scuffs along edges of lightbox frame; cracked rotating chain component
Profile of Miss Clark,1981
Screenprint on paper-backed wood veneer cut edges
Printer's proof outside of an edition of 22 Signed and dated in pencil on lower right on recto; Numbered in pencil lower left on recto; Workshop chop mark lower right on recto Printed by Jeff Wasserman, Santa Monica, CA From the Catalogue Raisonné 1959-99; pg. 34
Image: 20.5 x 22 inches; Framed: 28.5 x 30 inches
Untitled, 2001
Collage on wood panel
Signed, dated, and inscribed on verso
Dimensions: 4' x 4'
One to Another, 2007
Aluminum, wood and resin
36 x 45 x 5 inches
Untitled (Late He Could) Beach Towel, 2009
Hand-signed by Artist in ink on recto, around 30-40 were signed as a fundraiser for the Santa Monica Museum of Art circa 2010
From: “Works on Whatever, NYC: 2008 Artist Towel Series”
Dimensions: 70 x 60 in
Button-Down Shirt, 1977
Mixed media piece of ephemera
Inscribed by artist at the center of shirt: Tea at / Nick's (4:30) / Hollywood / California / May 9 ' 77
Provenance: Heritage Auctions; From the collection of Llyod Ziff
Shirt: 34 x 25 in; Framed: 37.5 x 28.25 in
Untitled (original), 1987
Pastel, charcoal, mixed media
Signed/dated on recto
Image: 32 x 40 inches
Frame: 41 3/8 x 49 1/2 inches
Untitled, 1980
Oil pastel on paper
Signed/dated in pencil on recto
Provenance: James Corcoran Gallery
Image: 14.7 x 12.5 inches
Frame: 23.7 x 21.5 inches
Robert Therrian (1947-2019)
Untitled, 1980
Wall construction; Mixed media
Provenance: The Sam Francis Estate
Image: 107 × 67 × 12 in
Robert Indiana (1928-2018)
New Glory, 1966
Felt and aluminum
From the numbered edition of 20
Image: 81.5 × 52 in
Nam June Paik (1932-2006)
Smiling Gate, 1986
Mixed media television artwork
Signed and dated on front of television
Provenance: Wanda Hansen Gallery, Saualito, CA; Santa Barbara collector
Dimensions: 22.5 × 25.5 × 14.5 in
Tony Berlant (1941)
Self Portrait, 1984
Found and fabricated printed tin
Image: 52 x 96 inches
Alexander Calder
Study for Homage to Jerusalem, 1976
Unique
8 Lines, From Lines and Blades series, 1963-87
Stainless steel kinetic sculpture
Published in: George Rickey, The Early Works, pg 194
Image: 62 x 54 x 31 inches
Ikabana Series c. 1984
Unique bronze sculpture
Provenance: Mallry Friedman
50 x 36 x 17.5 inches
Colombe Sur Lit De Paille, 1949
Glazed and engraved ceramic plate
Mounted in a custom frame with an expose back
Stamped “Madoura Plien Feu/CR/Madoura/dA’apres Picasso/Nouvelle Edition" on verso
From the numbered edition of 300
Plate Size: 12.5 x 15 x 1.5 inches
Frame Size: 18 x 22.5 inches
Mia’s Dance, 1986
Welded and brushed stainless steel with lacquer coating
Provenance: Estate of Harlan Lee
60 x 56 x 15 inches
Double Concerto, 1994
Bronze with original articulated wood plinth
From the numbered edition of 8
Incised, signature, numbered on recto
Sculpture: 27.5 x 15.5 x 8 inches
Plinth: 36 x 16 x 16 inches
Mirror II, 1971-1973
Bronze
From the numbered edition of 6
Signed, and numbered on recto
10.75 x 29.62 inches
Femme De Venise, Date Unknown
Vintage bronze reproduction
Facsimile foundry stamp on back of base
Facsimile signature on base
'AG' stamp on interior
45.5 x 6 x 13 inches
La Mia Descisione, 2006
Bronze sculpture
From the numbered edition of 7 + 3 AP's
Singed on verso
Transcendence of Man , 1976
Bronze Sculpture
From the numbered edition of 10
Signed/numbered
Provenance: From the collection of Dr. Robert Smith
Figure: 28.75 x 17 x 12 in
Overall with stand: 65 x 17 x 12 in
Issaiha , 1978
Bronze Sculpture
Inscribed "AP"
Signed, dated, numbered
Provenance: From the collection of Dr. Robert Smith
Figure: 10.5 x 9.5 x 8 in
Overall: 12.5 x 9.5 x 8 in
The Elements of Flight
Welded steel, table top sculpture
Sculpture: 28 x 21 x 18 inches
Gabrielle (Left), 1993-94
Bronze sculpture
Figure: 22.75 x 5.5 x 3 in
Overall: 64.75 x 5.5 x 3 in
Petra (Right), 1993-94
Bronze sculpture
Figure: 21.25 x 5 x 4 in
Overall: 63.5 x 5 x 4 in
Untitled (Not Brancusi), 1991
Bronze with light brown patina, marble base
Sculpture: 16 × 8 1/2 × 8 1/2 inches
Untitled
Bronze sculpture, unique
Signed "g.dill"
Dimensions: 64 x 24.5 x 5 in
Untitled
Sculpture has had restoration, since it was first gifted to Patrick Painter
Certificate from Patrick Painter included.
5 ½ x 5 ½ x 27 ¼ inches
Untitled (Seated Woman), c. 1970
Bronze sculpture on wood base
Provenance: Lewin Galleries, Los Angeles and The Estate of Molly Teitelbaum
Figure: 8 x 7 x 6.5 inches
Sculpture including base: 9.5 x 7.5 x 7.25 inches
Untitled, 1969
Chromed steel sculpture
Signed and dated
Wood stand, overall 77 inches tall
From the collection of Bruce and Sharyn Charnas
Engraved signature
41 3/4 tall inset to a 5 1/4 x 15 x 15 inches base, with 30 x 16 1/2 x 16 1/2 inches
Metamorphosis, c. 1960s
Unique bronze sculpture on travertine base
Figure: 8 x 6 x 10 inches
Base: 6 x 4 x 6 inches
Overall: 9 x 6 x 16 inches
Lunk, 2004
Bronze painted gold multiple
From the numbered edition of 200
Initials and number incised on underside
Provenance: From the Frostig Collection
4 x 4.875 x 4.75 inches
Untitled
Cast bronze sculpture with patinas
From the numbered edition of 6
Signed/numbered
Overall 33.5 in tall including marble base, weight 68 lbs
Romeo and Juliet, 1967
Bronze sculpture
Includes catalog of the puzzle
Dimensions: 6 x 8 x 5 in (with removable stand)
Untitled, c. 1975
Solid bronze sculpture
Dimensions: 26.5 x 19.25 in
MOCA Torso, 1992-1995
Bronze with dark brown patina
Signed on bottom of stand
Dimensions: 11 x 4 1/2 x 4 1/2 inches
Robert Rauschenberg
Publicon Station V , 1978
Artist Proof 10/30
35 ¾ x 13 x 8 inches
Viola Frey (1933-2004)
Untitled, 1989
Ceramic sculpture
Dimensions: 80.5 × 26 × 28 in
Isamu Noguchi (1904-1988)
Black and Blue, 1959/1980
Aluminum
From the numbered edition of 18
Dimensions: 94.3 × 33.5 × 32.5 in
Frank Gehry (1929-2025)
Fish Lamp, 1986
Glass, copper, and silicone
Dimensions: 70 x 16 x 28 inches
Mirror II / Espejo II, 1971-73
Cast bronze, mirror
A.P. outside the numbered edition of 6
Inscribed with signature, date, and other markings
Illustrated in: Robert Graham, Published by the Instituto Nacional de Bellas Artes, 1997, Plat #1, pg. 41
Dimensions: 29.5 × 23.5 × 11 in
Untitled, 1982
Clay under plex box
Signed and dated in ink
Size: 15 x 11.5 x 4 inches
Man Ray once referred to California as a "beautiful prison," and indeed the decade he spent in Los Angeles--the subject of a fine exhibition co-organized by Track 16 and Robert Berman Gallery--was a strange one. It was marked on the one hand by anxiety (Man Ray spent much of the early 1940s repainting the masterpieces he left behind as he fled war-ravaged Paris).
On the other, it was marked by a grudging acceptance of his self-willed anonymity in this, the land of show biz (the catalog Man Ray designed for his last show here, in 1948 at the William Copley Gallery, was titled "To Be Continued Unnoticed").
The exhibition is filled with works produced before and after his stay in the United States--some of them major, more of them less so--as well as drawings, photographs, objects, chess sets, letters and other ephemera produced during and related to his time here. It attempts to create a fresh context for understanding the life and work of one of the premier Surrealists while also proposing a centrality for Southern California within the canon of modernism, specifically Surrealism.
Indeed, Man Ray wryly noted that there was "more Surrealism rampant in Hollywood than all the Surrealists could invent in a lifetime." Yet to judge from this exhibition, California didn't necessarily inspire him in that direction. While Dali took the opportunity to collaborate with the movie industry--lampooning it in the same breath--Man Ray turned inward here; thus, the most interesting developments for him were personal.
It was in L.A., for example, that he met Juliet Browner, who was to become his wife and muse for the remainder of his life. He also formed bonds with the writer Henry Miller, the collector and art world figure Gloria de Herrera, and the artist Knud Merrild, whose work was to be an inspiration for the artist's later "natural paintings."
On this count, then, what becomes most interesting here are the letters, homages, memorabilia, literary endeavors and photographs. These include a tiny painting of a butterfly made for De Herrera; a wonderfully cynical book of drawings called "Alphabets for Adults"; a snapshot of Juliet stretched out like an odalisque on a couch in Man Ray's Vine Street studio; and a photo of the artist and Marcel Duchamp sitting beneath a Parisian street sign, "Rue de la Vieille Lanterne," which just happened to have been taken on a Hollywood stage set.
Permanent Attraction: Man Ray & Chess by Larry List
AVAILABLE NOW ON AMAZON!
https://www.amazon.com/Permanent-Attraction-Chess-Dada-Surrealist/dp/3777444472
"Mythologie Moderne II," 1969
Lithograph
Probably a trial proof before the numbered edition of 175
Signed in pencil on recto
From the Estate of Man Ray with the Man Ray Estate stamp and numbering on verso
Sheet: 25.5 x 18.5 inches; Framed: 30.75 x 24 inches
The Merry Wives of Windsor, 1972
Lithograph in colors on woven paper
Initialed, signed "EA" on recto
Image: 20.25 x 16.25 inches
Framed: 30 x 23 inches
Untitled, 1944
Watercolor on paper
Signed and dated on recto
Image: 16 x 13 1/2 inches
Framed: 24 1/2 x 21 1/2 inches
Alice Prin, Kik i, c. 1924
Vintage gelatin silver print
Signed in pencil on verso
Photographer's stamp on verso
Provenance: From the collection of Dr. Stanley Kogan
Image: 10.75 x 8.5 in
Frame: 19.125 x 15.125 in
Pour Eluard, 1971
Color pochoir Numbered 'E.A.' (Artist Proof)
Signed and annotated “EA” in pencil on recto
Image: 32 x 23.5 inches; Framed: 34 x 28.5 inches
Julie, 1970
Lithograph
Numbered 76/100 Signed and numbered in pencil on recto Image: 18.5 x 14.75 inches; Sheet: 25.75 x 19 inches; Framed: 31.7 x 25 inches
Untitled (Julie), 1942
Gelatin silver print
Provenance: Directly from the Man Ray Trust; Exhibited in Man Ray Paris-LA at Track 16 Gallery/Robert Berman Gallery, pg. 25 in the catalogue
Image: 8 x 7 inches; Framed: 20 x 18 inches
La Vierge, 1955
Lithograph
Artist Proof (Epreuve d'Artist) Initialed and annotated “E.A.” in pencil on recto sheet; Man Ray Trust Archive stamp on verso Illustrated in: Man Ray Opera Graphica, Vol. I, pg. 104, #55
Image: 12 x 10 inches; Sheet: 22 x 17 inches; Framed: 21.5 x 20 inches
Print C (Les Anatomes), 1970
Aquatint
Numbered 10/25 Signed and annotated “X/XXV” in pencil on recto sheet Illustrated in Man Ray Opera Graphica, Vol. I, pg. 134
Image: 16.75 x 12.25 inches; Sheet: 26 x 20 inches; Framed: 29 x 24 inches
Poire d'Erik Satie (A. 45), 1969
Lithograph
Signed, initialed and annotated “Love to Joey-Juliet Many Ray” in pencil on recto Provenance: From the estate of Juliet Man Ray; Estate stamp on verso
Image: 18 x 11 .5 inches; Sheet: 23.5 x 16.5 inches; Framed: 32 x 25 inches
Man Ray, Abstract Composition, 1956
Ink on paper
Initialed and dated in ink on recto
Image: 14 x 10 inches; Framed: 26.25 x 20.5 inches
Still Life, 1969
Lithograph
E.A. Signed and annotated on recto
Provenance: From the personal collection of Juliette Man Ray Image: 30 x 21.5 inches; Framed: 39 x 30.5 inches
Auto Portrait, 1972,
Lithograph
Numbered 5/100; Initialed and numbered in pencil on recto;
Image: 8 x 6 inches; Framed: 24 x 21 ½ inches
Untitled (Allume Tes Gitanes)
Etching (conceived from a photo-based project)
Numbered 34/41
Man Ray archive stamp and ID number 2125-7-11 in pencil on verso
Provenance: from the collection of Joe Browner, Estate of Man Ray
Image: 10 x 11 ½ inches; Framed: 20 ½ x 22 inches
Insulator, c. 1935
Gelatin Silver Print
Signed by artist in pencil, signed and annotated 'before 1940' in pencil, titled in ink on the reverse
From the private collection of Dr. Stanley Kogan
Image: 11.625 x 9 in; Framed: 20.25 x 16.25 in
Track 16 Gallery and Robert Berman Gallery, Santa Monica, California, solo show ["Concrete and Buckshot. William S. Burroughs Paintings 1987-1996"][18 July – 6 October, 1996]
Track 16 Gallery and Robert Berman Gallery, Santa Monica, California, solo show ["Concrete and Buckshot. William S. Burroughs Paintings 1987-1996"][18 July – 6 October, 1996]
Burroughs Portrait, c. 1980's
Gelatin Silver Print
Image size: 16 x 20 in
William Burroughs Slightly Zonked, 1961, Printed 1995
Mural, RC Photographic Paper
Signed Recto
Image: 48 x 72 in
Burroughs signing, 1982
signed and dated on verso
Gelatin Silver Print
Image: 20 x 24 in
William S. Burroughs
Untitled, 1993
Oil on canvas
Image: 12 x 12 in
Frame: 13 x 13 in
William S. Burroughs
Untitled, 1993
Oil on canvas
Image: 12 x 12 in
Frame: 13 x 13 in
William S. Burroughs
Resurrection, 1992
Mixed media on paper
Image: 22.75 x 17.5 in
Frame: 32 x 26.75 in
Piece for City People, 1993
Acrylic on canvas
Signed, titled, dated on recto
72 x 48 in
Heads Rolling (collab. w/ Steven Lowe), 1993
Acrylic on canvas
Signed, titled, dated on recto
48 x 72 in
Time Shuttle, 1993
Acrylic on canvas
Signed, titled, dated on recto
57 x 77 in
Lust, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Anger, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Avarice, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Gluttony, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Sloth, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Anger, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
nvy, 1991
Woodcut and screenprint
From the numbered edition of 90
From the portfolio “The Seven Deadly Sins”
Image: 44.25 x 30.25
Frame: 49.25 x 35.25
Sale Ends Today, 2005
Screenprint
Numbered 111/500 in pencil on recto (out of the pieces printed in L.A. by Modern Multiples with Banksy's stamp of POW and Modern multiples stamp for the 2006 Los Angeles exhibition Bansky, Barely Legal)
Provenance: From the Collection of Dermot Begley
Image: 18.5 x 26 inches; Sheet: 22.5 x 30 inches; Framed: 30 x 38 inches
Oh My God, 2006
Spray paint and household paint on metal
51 x 36 inches
PROVENANCE/NOTATION: Signed on recto; Includes Lazarides Gallery, London, England receipts and COA; Exhibited in Barely Legal exhibition in Los Angeles, CA, September 2006.
ILLUSTRATED: Banksy Wall and Piece: Now with 10% More Crap, Published by Random House UK, 2006
Untitled ("Heavy Weaponry" stencil over "Radar Rat" stencil), 2002
Unique Stencil with 4 different stencils and black and red spray paint
Signed with "Bar Code" stencil and stenciled "Banksy" signature
Provenance: Private Collection, Los Angeles, CA. Authenticated by Pest Control Office
Image: 30 x 26 inches; Framed: 32 x 28 inches
Whatever, 2006
stencil and spray paint on steel
purchased from the Barely Legal show in Los Angeles; receipt from Lazinc provided
Image: 48 x 61 inches
Love Rat, 2005
Screen print
Numbered 96/150 Signed, dated, numbered in pencil on recto, with POW chop mark
Image: 19.25 x 13.25 inches; Sheet: 19.25 x 13.25 inches; Framed: 23.5 x 17.5 inches
Napalm, 2005
Screenprint
Numbered 121/150 Signed, dated, numbered in pencil on recto, with POW chop mark
Image: 14.5 x 23 inches; Sheet: 19.5 x 27 inches; Framed: 24 x 32 inches
Auction from the Barely Legal suite of prints, 2006
Numbered 111/500 (out of the pieces printed in L.A. by Modern Multiples with Banksy's stamp of POW and Modern multiples stamp)
Image: 22 x 30 inches; Framed: 29 x 36 inches
Applause from the Barely Legal suite of prints, 2006
Numbered 111/500 (out of the pieces printed in L.A. by Modern Multiples with Banksy's stamp of POW and Modern multiples stamp)
Image: 32.5 x 48.5 inches; Framed: 40 x 56 inches
Grandmas from the Barely Legal suite of prints, 2006
Numbered 111/500 (out of the pieces printed in L.A. by Modern Multiples with Banksy's stamp of POW and Modern multiples stamp)
Image: 26.5 x 19 inches; Framed: 29 x 37 inches
Golf Sale, 2003
Screenprint
Numbered in pencil with artist’s stamp on recto
From the numbered edition of 750
Printed and published by Pictures on Walls
Provenance: This work has been authenticated by Pest Control Office and includes a Certificate of Authenticity which shall be shipped by the consignor after purchase
Sheet: 13.6 x 19.3 inches; Framed: 20 x 28 inches
Untitled, (I stole my sister’s boyfriend..), 1984
Original artwork used for Sonic Youthss album "Goo" in 1990
Ink on paper
Signed and dated in ink on verso
Sheet: 10.5 x 8.5 inches
Framed: 13.25 x 11.375 inches
No Title (or thrust through), 1987
Ink on Paper
Signed and dated in ink on verso
Image: 16.5 x 9.75 inches; Sheet: 17.625 x 11.25 inches
Raymond Pettibon
(1957)
Untitled (My Purpose in Life), 1987
Ink on paper
Signed/dated on verso
Exhibited in Robert Berman Gallery "Dearest Reader" (1991)
Exhibited in the Gem Museum of Contemporary Art
Exhibited in the New Museum, ‘A Pen of All Work’, 2017
Literature: illustrated in 'SONIC YOUTH etc.: SENSATIONAL FIX', 2008, pg. annotated, pg. 704
Illustrated in Raymond Pettibon: Plots Laid Thick, 2002, pg. 404, annotated, pg. 441
illustrated and annotated in 'A Pen of All Works: Raymond Pettibon,' Phaidon and the New Museum, 2017, pg. 245
Tag on verso
Image: 24 x 18 inches
Framed: 33 x 28.5 inches
No Title (4 years without), 1984
Ink on paper Signed and dated in ink on verso
Image: 10 x 13 inches; Framed
Untitled (I was brought...), 1990
Ink on paper
Signed/dated by artist on verso
From the private collection of Kevin Reagan (three-time Grammy Award-winning graphic designer/art director)
Image: 7.25 x 7.25 in; Framed: 15.25 x 15.25 in
Raymond Pettibon
Play Ball, 1989
Printers proof 4/4
Signed and dated
Image: 46 x 35 inches
Raymond Pettibon
At Least I Got To See Vegas, 1989
Silkscreen
From the numbered edition of 65
Signed and dated in pencil on recto
Image: 40 x 32 inches
Raymond Pettibon
Making it Whistle, 1990
Silkscreen
From the numbered edition of 40
Signed and dated in pencil on recto
Image: 28 x 22 inches
Raymond Pettibon
0 for 40, 1988
Silkscreen
From the numbered edition of 25
Signed and dated in pencil on recto
Image: 29 ½ x 22 ½ inches
Raymond Pettibon (1957) and Gomez Bueno (1964)
Curro Superman, 2005
Acrylic on fabric
Signed on lower left corner in acrylic on recto
Provenance: Exhibited at Instituto de Cultura de Baja California, Tijuana, Mexico September – October 2005; Reproduced in catalogue for Gallery Siboney, pg. 14-15; Article about Bueno written by Pettibon in Juxtapoz Magazine, Aug, 2006, pg.52-55
Dimensions: 9ft 2 x 15 ft 9 inches
